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Tina Canady Tina Canady is a black, queer theater artist. Since earning her BFA in drama from NYU, Tina has worked with several theaters across Baltimore, including Single Carrot Theatre, Baltimore Center Stage, and Submersive Productions, LLC, where she serves as an artistic associate. Tina is passionate about creating new works, arts integration and continuing to cultivate her black joy! When she's not performing or teaching, she can usually be found playing board games, laughing or buying new wacky socks! Drama Teaching & Performing Artist Back

Kelly King Kelly (she/hers) is the founder and Artistic Director of Contradiction Dance Theatre, making dances for theatre, film, stage, and street... and all the places people go in-between. Playing in several artistic sandboxes at once, Kelly serves the creative community as an educator, choreographer, consultant, advocate and audience member. For over 15 years she has worked with teachers and students on adaptive movement bringing dance to all types of students. She has founded three dance programs, including the CityDance Center at Strathmore and Contradiction Dance; led professional development workshops for educators nationwide; consulted for the DC Collaborative for the Arts and Humanities; and served St. Mary’s College of Maryland teaching all levels of improvisation, composition, jazz and modern dance. Currently, Kelly teaches beginners through professional levels of dance to students ranging from pre-school to senior citizens, including adults with disabilities. She also leads Moving Dialogues workshops to engage and empower non-dancers in the artistic process through their own writing and movement. As a trainer in arts integration, she leads workshops designed to create the next generation of master educators. Kelly has performed nationally and internationally for several dance companies, notably BodyWise Dance, CityDance Ensemble (Associate Director), Liz Lerman Dance Exchange, Echo Park Contemporary Ballet, and JazzDanzDC. She has performed with production companies, including Cirque du Soleil, The Baltimore Symphony Orchestra and Cast of Thousands. Choreography credits include projects with The Kennedy Center, Round House Theatre, The Source Festival, Forum Theatre, Constellation Theatre, Taffety Punk Theatre Company, M productions at the Anacostia Arts and site specific work for the #DanceAboutDC series. Dance Teaching & Performing Artist Back

Pete Oliver-Krueger Pete Oliver-Krueger (he/him/his) is a master carpenter, set designer, director, actor, and classical singer ...plus a product consultant and software engineer. As Technical Director for InterAct he is tasked with constructing the traveling sets for InterAct's main stage performances, designing special effects, and overseeing anything else with a technical component. As a product consultant and software engineer he mentors startups, large organizations, and non-profits in the DC metro area, teaching them how to do more with the resources they already have. He got his start at Carnegie Mellon's Robotics Institute, and his software architectures power multiple government agencies including the FDA, NASA, and the Pentagon. He has led many high-profile teams, including the relaunch of TD Ameritrade's new online trading platform, and the first DC Metro Trip Planner. Theatrical & Product Design, Multimedia Design CTO / Technical Director Back

Emily Townsend Emily Townsend (she/her/hers) has worked as a teaching artist throughout the Washington metropolitan region, for organizations ranging from the Sitar Arts Center to the Shakespeare Theatre Company, where she spent a season interning in the Education Department. Also a passionate musician, she has spent the last several years singing with some of the leading symphonic choirs in the area, and has performed with world-class conductors and orchestras both in Washington and internationally. Emily has been a featured guest artist with 1928 and the New Resonance Orchestra. She completed her graduate studies at the University of Maryland, College Park in Theatre History and Performance Studies, specializing in historical Shakespearean performance. Emily currently manages and contributes to Two Hours' Traffic, a website devoted to theatrical reviews and criticism for the Washington DC region and beyond. Creative Drama, Dramaturgy, Devising Artistic Administrator and Literary Manager Back

Anabel Milton Drama Teaching & Performing Artist Back

Khaleshia Thorpe-Price As an artist, she co-wrote A Journey with Jazz, an interactive performance experience for young audiences, for the Wolf Trap Institute for Early Learning through the Arts. She perform in this production with the Wolf Trap Jazz Trio. She has served as the host for the Music Box Family Concert Series with members of the BSO at the Meyerhoff Symphony Hall and has directed performances in the Folger Shakespeare Children's Festival. She has worked in arts education since 2000. As a teaching artist, she has facilitated residencies and workshops for children and adults for many arts organizations including Wolf Trap, Arena Stage, Young Playwrights Theater, Young Audiences of Maryland, Folger Shakespeare Library, Shakespeare Theater Company and M-NCPP. As an arts manager, she as coordinated workshops and residencies for thousands of students and educators in D.C., Maryland, and Virginia. She has partnered with many organizations including the United States Department of State, the National Portrait Gallery, and ZERO to THREE to provide unique arts learning experiences for all ages. In addition, she has managed enrichment and academic afterschool programs for D.C. Public Schools. She earned an MA in Arts Management from the University of Central Florida and a BA in Theater Arts from Morgan State University. Drama Stories on Stage Back

Online Workshop Submission for MSAC review: The Monster Year (grades 2 - 4) Thank you for reviewing this online performance for addition to InterAct Story Theatre’s AiE Roster listing! InterAct Story Theatre has visiting performances for a wide range of educational and family audiences. This workshop is a recreation of a story dramatization workshop inspired by the Chinese folk tale “The Monster Year”. This workshop was conducted this year for 2nd - 4th graders; it has been recreated for this video submission with a mock audience of educators, actors and teaching artists. A technical rider outlining the program coordination and tech rehearsal process is uploaded here; in addition to this tech packet, partner organizations also receive an electronic parent-educator resource/study guide and a link to a feedback form. Our website is currently being updated so this information will be easily accessible online. About this workshop CLICK HERE FOR TECHNICAL RIDER CLICK HERE FOR VIDEO

Erica Washington Teaching & Performing Artist Back

Bobtail BONG BONG: A Monkey's Tale Click Here to read the review by Theatre Bloom Five Stars! October 29, 2019 “It’s quite the experience, an honestly beautiful learning endeavor that engages young audiences while they think they’re having nothing but fun and games in this great theatrical show. Bobtail Bong Bong: A Monkey’s Tail Tale is the exact theatrical experience InterAct Story Theatre has been attempting to achieve in years of late, and this new highly immersive and involved format is really working toward their overall company mission.” < Back to Press

Ashton Schaffer Drama Teaching & Performing Artist Back

Tom Teasley Tom Teasley, described in the Washington Post as “a multi-instrumental genius,” maintains a unique career as a solo percussionist, composer, and collaborator. He is a Drummie Award winner for “World Percussionist of the Year by Drum! Magazine. Tom is a multi Helen Hayes Theatre Award recipient for outstanding sound design (nominations in 2012, 2014, 2015, and 2019). Tom tours frequently worldwide, performing and presenting clinics for the instrument companies he endorses, including Yamaha, Vic Firth, Sabian, Remo, and Gon Bops. His educational book /DVD, An American Approach to World Percussion, is published by Alfred Publishing. Tom is a five-time WAMA (Washington Area Music Award) World Music Instrumentalist of the Year. A six-time recipient of a Fulbright-Hayes grant for performances in the Middle East, Tom collaborated with indigenous musicians and gave historic performances by invitation of U.S. embassies in Saudi Arabia, Bahrain, Iraq, Samoa, Oman, and Jerusalem. He has been an artist-in-residence at the John F. Kennedy Center for the Performing Arts. Tom has collaborated with the National Symphony as both a soloist and composer. As an international collaborator, he has performed by invitation in Europe, South America, New Zealand, Samoa, and Korea. Tom earned the Artist-of-the-year award from Young Audiences of Virginia for his creative and educational presentations. His CDs receive international airplay and acclaim. He has been the subject of numerous feature articles in Modern Drummer Downbeat and Drum! Magazines. World Music, Drumming Teaching & Performing Artist Back

Lenore Blank Kelner Lenore Blank Kelner is an author, educator, educational consultant, keynote speaker and teaching and theatre artist. Lenore has presented her work in all 50 states and abroad and has been a presenter with the John F. Kennedy Center for the Performing Arts for 29 years. She was a Master Artist for the Wolf Trap Institute for Early Learning through the Arts for 25 years. Lenore is the author of The Creative Classroom (15th printing) and co-authored with Rosalind Flynn, A Dramatic Approach to Reading Comprehension (Heinemann, 2006, 5th printing). Lenore was awarded the 2004 Creative Drama Award from the American Alliance for Theatre and Education. In addition to conducting staff development residencies through InterAct Story Theatre, Lenore also works widely through her own company, Lenore Blank Kelner & Company and is the Director of the Creative Kids afterschool Drama Program. Drama, Creative Drama Founder Back